The recent
excavation of pits with the deposition of human cremated remains provided quite
important new information about funerary practices in chalcolithic Perdigões (and in
Chalcolithic Iberia). Associated to these depositions (still in excavation)
there were several human figurines, well known in South Iberia, but until now
absent in Portugal. They are made of ivory and the majority is burned and
fragmented, suggesting that they were submitted to fire with the human remains
(as well as other materials).
Published in Valera & Evangelista, in press. (Copyright A.C.Valera)
This assemblage of figurines was recently
studied and a paper will be published in the Journal of European Archaeology. More
than discuss what they might represent, the paper focus on the pattern, realism
and postures of the figurines and on their possible social role.
This is the
abstract:
“Based on a
set of anthropomorphic figurines, this paper suggests that the search for
realistic human proportion and canonical posture in the carving of those
objects as means of expressing ideology through body postures, in a context of
diversified forms of manipulation of the bodies in funerary practices.
It is
argued that, against a background of predominantly schematic art, the more
realistic and canonical anthropomorphic representation of the human body is
used to communicate, a set of ideological statements in a more controlled and
immediate way, possibly of ideological and social nature, in a period of
ontological and cosmological transition.”
Reference:
António
Carlos Valera and Lucy Shaw Evangelista, “Anthropomorphic figurines at
Perdigões enclosure: naturalism, body proportion and canonical posture as forms
of ideological language.” in press.
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